ارتبط الانسان بالطبيعة بأشكالها المختلفة ارتباطا وثيقا ، فهي تمثل الحاضنة له بمجالات حياته كلها، فما كان من الأدباء الا أن يجعلوها في كثير من الأحيان مادة لأدبهم وأرضية خصبة لنتاجهم، فتمظهرت بصورها المختلفة وحاجة الانسان لها وخيرها وشرها في الأدب على مدى التاريخ، والعرب شأنهم شأن غيرهم من الأمم فمنذ عصر ما قبل الاسلام كانت الطبيعة منفذا مهما وملجأ للشعراء في انتاج الأدب وابداعه وإلى يومنا هذا، ونحن إذ نتحدث عن شاعر من شعراء الدولة الفاطمية نجد أن الطبيعة -ولاسيما الربيع وأزهاره- في تلك المدة أخذت مأخذها من الأدب ومثلت ظاهرة عند كثير من الشعراء، حتى عُني كثير منهم بوصفها والكشف عن جمالياتها ومدى تأثيرها على حياة الإنسان، ومن الشعراء الذين اهتموا بوصف الربيع وأزهاره بصورة طغت على شعره (الحسن بن علي الضبيُّ الشهير بابن وكيع التنيسي) فكان عنوان البحث (الصورة الفنية للأزهار في شعر ابن وكيع التنيسي)، وقد قسمَّ البحث على مبحثين، سبقا بمقدمة وتمهيد تناولت فيه حياة الشاعر وعصره، وكان المبحث الأول تحت عنوان: (الازهار وصورها في شعر ابن وكيع) تناولت فيه مدخل لدراسة الصورة، وصور الأزهار التي وردت في قصائد ومقطوعات. وأمّا المبحث الثاني فكان تحت عنوان: (صورة الربيع وأزهاره في شعر ابن وكيع)، وقد أفردت مبحثا للربيع وأزهاره للتلازم بين الربيع والأزهار وهذا التلازم دعا ابن وكيع إلى إفراد قصائد قائمة بذاتها تحت عنوان الربيع ليصف فيها الأزهار ويصورها. ثمَّ ختم البحث بأهم النتائج التي توصل إليها، فقائمة بالمصادر التي وظُفت فيه. والحمد لله أولا وآخرا.
Sufism has aesthetic signs linked to the human spirit and adopts a set of spiritual, motor and tonal practices, let alone the philosophical aspects that have been tackled in the epics, novels and theatrical texts, the theatrical show can recall the Sufi image and its aesthetics within the operating and image system of the theatrical show.. The research problem resides in how to employ the Sufi image in the theatrical show. The research consists introduction of the research subject, the problem, the importance, and objectives represented by uncovering the aesthetic and intellectual representations of the Sufi image in the theatrical show. the theoretical foundation within two sections: the first highlighted the concept of (Sufism a
... Show MoreThe research study includes shedding light on the sas dance in Iraq, as it is one of the popular legacies that are rich in the Mesopotamian civilization and because of the different practices it has in the different occasions on which these dances are held. Which is one of the kinetic arts widespread among the classes of Iraqi society. The researcher explained its features and artistic content that characterizes Iraqi music. The (methodological framework) reviewed the justification, importance and purpose of the research, and the limits of the research that included the (National Troupe of Folk Art) as a human limit to discover the artistic methods of the Sas dance and then define the terms of the search. The "theoretical framework" cont
... Show MoreBetween decline and appearing dichotomy, art history comes to announce birth of an era that glories past and find new names that are emerged from yearning to past and represented by neo-classical, By refusing the previous approaches and create topics that touché culture and derived from it through s revitalizing ideal beauty standards. One of neo-classical artists, who tried to simulate the classical works, is (Jean-Auguste-Dominique Ingres), who put framework for semantic aesthetic of the art form by revitalizing past glories and deeply searching myths and cultures through finding special artistic features that emphasizes artist own stylistics and identity. This research studies artistic features of women form in (Jean-Auguste-D
This study is concerned with the topic of the constant and the variable within the artistic theatrical phenomenon and specifically the accompanying music for the movements, scenes and dramatized idea, which translates the Iraqi environments (the serious ones). The researcher, here, tries to determine those variables and constants as a methodological scientific study to serve the scientific and cultural institutions and contribute in settling them intellectually, and entering them in the academic environments that depend on studying the artistic associations between the theatrical science and musical science. We find that this study which addresses the topic (the constant and the variable in the theatrical show music for the department of
... Show MoreThis research addresses a problem manifested in a main question: what is the role of the digital media in marketing the artistic products? in order to determine the role played by the digital media in the disclosure and promotion of the artistic product, its price and places of distribution, as the basic elements of the marketing mixture.
This is a descriptive research in which the researcher used the survey method to check the opinions of a sample chosen according to the (proportion) method from the research community represented by instructors and students of the college of Fine Arts- University of Dayala.
... Show MoreThis research deals with the technical configuration of the beautiful visions among Bany Ahmar poets reflected through the incarnation of beautiful artistic images that manifests itself clearly in the combination of two contradictories simultaneously.
The main conclusion is, the Andalusian poets try to use those fictional visions in search of aesthetic pleasure and values, through forming an image from water and fire as two prominent contradicted elements to express the impact of the heat of wine which soon vanishes when it is mixed with water. By this, they show the beautiful side of nature that suggests joy and splendor.
This paper aims at exploring the impact of the Iraq-Iran war in the poetry of Adnan Al-Sayegh. Al-Sayegh participation in this war makes him a first hand witness to the atrocities of the trenches and fight in the first lines. This war did not only change his life and world view for good, it changes the nature of his poetry as well. As aresult, war becomes a central issue not only in the poetry Al-Sayegh wrote in the 1980s and 1990s Iraq, but also in the exile.
Key Words: War, Al-Sayegh, Poetry.
ان صفي الدين الحلي اهتم في قصائده بالالفاظ والمعاني واكتظت قصائده
بالالفاظ الدالة عمى الصفات المعنوية مع كثرة فما مف حدث مف الأحداث ومعنى مف المعاني الا وتخير لو الشاعر المفظ المناسب
ابو الفرج رونی از استادان شعر فارسی در دوره دوم غزنوی است.او در میان شاعران ابو الفرج خیلی زودتر از دیگر شاعران عصر خود متوجه نو کردن سبک سخن گردید چنان که میان روش او وروش معاصرانش از قبیل عثمان و مسعود سعد و معزی و نظایر آنان اختلافات فراوان وجود دارد. او طرز شعر دورهء اول غزنوی را که باید آن را سبک تکامل یافتهء دوره سامانی شمرد، به دور افکند ، وطریقه ای جدید پدید آورد. پژ
... Show MoreAbstract
This research deals with studying and analysis of a poetic group under the
title (Trees behind fence) of the great poet Dr. Ahmed Sulaiman AlAhmed
who is the some of the Shek , Sulaiman Al-Ahmed who is the linguist - poet
and famous jurist member in the Arabic scientific assemble in Damascus and
brother of the great poet Badawi Al-Jabal. This poetic group include two big
poetic legends : the first one is (Trees behind fence , ) which include one
hundred and eighty four line and the second one ( AZ-Mebadia ) which is
consists of one hundred and seventy eight line, both of them from the (Al-
Camil ) meter which is free rhyme which bears a many meaning and pictures
and just the great poet composite the