ٕ ضٞظ٤ق جالْطٌٞز ك٢ جالوخ هى ظٍٜ ً٘ٓ ظٌٜٞ جالوخ جٗٞ٤ُح٢ٗ جُوىْ٣ ، جي ضؼى ٌجكىج ٜٔٓح ُالوخ ذحؾحٚٓٗ جُٔهطِلس ؛ قط٠ أٚركص جُ٘ٞٛ٘ جٍُٓو٣س جُكى٣ػس ٝ جُٔؼحٍٚز ، ال ٌٜ٘ٔ٣ح ضكو٤ن ٖؼ٣ٍطٜح ٝ ٓطؼطٜح وٕٝ جالْطِٜحّ ٖٓ جألْطٌٞز ذ٘حت٤ح أٝ ك٣ٌٍح ، ًُج كوى ض٘حٍٝ جُركع ذىٌٙٝ ضٞظ٤ق جْطٌٞز ٕٖٞٗٔ جُطٌٞجض٤س ، ٢ٛٝ ٖٓ جالْحٍ٤٠ جُط٢ ٝؾىش قٌٟٞج ك٢ جالوخ جُؼح٢ُٔ ٝجُؼر١ٍ .جي ئٕ ضٞظ٤لٜح ك٢ جالوخ ٣ؼطٜ٤ح ذؼىج ٤ٓطحك٣ُ٤وح ٝجنٍ جٓٗح٢ٗ ٣ؿٔغ ك٢ غ٘ح٣حٙ جُالٝػ٢ جُؿٔؼ٢ ٜٞ٤ُِو. ٖٓٝ ٘ٛح جٌضرطص جْطٌٞز ٕٖٞٗٔ ذحٍُٓو جالوذ٢ جُٞٔؾٚ ج١ًُ ٣هل٢ ك٢ ٤٠حضٚ ٓؼ.٠٘ ٝهى يٛد جُرحقػحٕ ك٢ جُرىج٣س ج٠ُ ٓكحُٝس ٌٚى ٓح٤ٛس ٓٝلّٜٞ ًٙٛ جالْطٌٞز ٓٝح ضؼٚ٤٘ ٖٓ ٣ٌُٓس، كٟال ػٖ ؾٞجٗرٜح جُِـ٣ٞس ٝجُطك٤ِ٤ِس جُط٢ ؾؼِطٜح ٓؿحال نٛرح ُِطٞظ٤ق جالوذ٢ ، ٝجْطـِطٚ ج٤ٗٞ٤ُٜٛس ٍُٗ٘ جكٌحٌٛح جُؼ٣ٍٛ٘س؛ ذـ٤س ض٤ٍْم ؾًٌٝ جألوخ ذٍقْ جألْطٌٞز ك٢ ذؼىٛح جإلٓٗح٢ٗ ٝجُطح٣ٌه٢ ٝقط٠ ك٢ ؾحٗرٜح جُل٢٘ جُؿٔح.٢ُ ٝقط٠ ٓ٣طٞك٢ جُركع ؿح٣طٚ ٝجٛىجكٚ ػٔى جُرحقػحٕ ج٠ُ وٌجْس ٖه٤ٛس ٕٖٞٗٔ ٝضكِٜ٤ِح ُـ٣ٞح ٝوال٤ُح ٌٓٝحٗطٜح ك٢ جُطٌٞجز ، ذٜىف جالٖحٌز ج٠ُ جْٛ جُٔٓحش جٍُٔضرطس ذحالذؼحو جُل٣ٌٍس ٝجُؿٔح٤ُس ُالْطٌٞز، ٝج٣ٟح ٠ر٤ؼس جُٞٞٞٔػحش ج٤ُٓح٤ْس ٝجالؾطٔحػ٤س ٝجُطح٣ٌه٤س جُط٢ ٣طْ ٍ٠قٜح ٖٓ نالٍ ضؼىو جْح٤ُد جُطٞظ٤ق جالْط١ٌٞ ج٣كحت٤ح ٝوال٤
عرف الإنسان اللؤلؤ منذ عصورما قبل التاريخ ، حيث كان يجمعه من الأصداف التي كانت تلقي بها الأمواج على الساحل . و لم تُمارس مهنة الغوص إلا في مرحلة لاحقة لم يحدد تاريخها .
العلاقات السياسية بين الوطن العربي وفرنسا
Our critical history is marked by the presence of eminent poets who have tried to read, as for their texts, such as Al-Mutanabbi, Ibn Abd Rabu and Ibn Arabi. As for the texts of others, such as Al-Farazdaq, Jarir, and Omar bin Abi Rabi'a, and what is distinctive in their readings was that they were texts corresponding to the reading text, then the reading of Jarir Naqdah and Omar bin Abi Rabi`a was an opposition and Ibn Abd Rabu was scrutinized and Ibn Arabi was an interpretation and al-Mutanabi an explanation, and I found that these in their readings constitute a specificity that must be revealed The way of this research (constructive critical reading by the Arab poet - a critical study -) their poor are critical because criticism is pr
... Show Moreاشكالية بناء ثقافة مشاركة في الوطن العربي
(1)
The ammeter is art form from folklore of the Arab perform many character so he is actor several from place to another, you able to use your tools (body) and (voice), he is genus ammeter that the character
The National trend and employment of Islamic heritage.
This stydy is an attempt to concept The employment of national Trend of Islamic heritage to serve ideological goals .
The research indicates to Arabic sights of heritage and the heritage through the curriculum of the first hational association , especially the first national trend , Arab mobile associate and also Almuthana , Al_Haritha Al_sho clubs .
The research depends on more origin documents and more Iraqi journals.
The God Almighty prefer on the Arab nation, and entrusted to carry his message to the secular world as a whole, , gave her all necessities of life in terms of location, who are the heart in the earth's surface. From this blessed place emerged the greatest civilizations and the world has ever known for it than in human history, a four empires Alsamyat
The semiotic approach to the unspoken seeks to analyze the text in an esoteric way, that is, to clarify what is hidden from it by reading between